Multidisciplinary designer.

Åpenhet builds tools for open, transparent governance. The brand reflects that ethos: minimal, precise, and grounded in clarity. The website is structured to foreground complex public sector work with simplicity and trust—pairing a neutral visual language with carefully structured content that communicates both capability and purpose.

AI powers ActHub to connect users with climate actions that suit their abilities, passions, and sphere of influence. Each user receives a tailored action pathway—step-by-step, structured and ready to implement—designed to guide them from learning to leading.

Branding and visual identity for the third edition of the Climate Crisis Film Festival — a hybrid event streaming worldwide and hosting in-person screenings at COP26. The project involved creating the entire brand from scratch under an extremely tight deadline, producing assets across social media, the festival website, streaming platform, outdoor posters, billboards, event signage, press kits, thumbnails, and more. The result was a cohesive, high-impact identity that supported the festival’s growth into one of the world’s largest environmental film festivals, reaching 220k viewers in 143 countries. The branding and website received consistent praise from partners and stakeholders, reinforcing the festival’s position on a global stage.

We designed a playful, interactive microsite for Transparency International to unpack a serious issue: gender-motivated hate against female politicians in the Czech Republic. Drawing on analysis of 1.8M Facebook comments from disinformation groups, we visualised the categories and spread mechanisms of online hate — brought to life with clear visuals and compelling insights.

Earth Month was a month-long festival across Edinburgh and Glasgow in partnership with Institut Français and Goethe-Institut. The programme focused on four climate themes—oceans, rewilding, sustainable architecture, and circular design—and included an artist residency, an exhibition, and 16 multidisciplinary public events. The festival required a cohesive brand that could be recognised across venues in both cities while standing out within the institutes’ broader cultural programming. We created a visual identity that balanced artistic sensibilities with a bolder contemporary form, applied across digital and physical assets.

Built for the NGO Walk Free, in collaboration with Anthologie, the platform delivers the Global Slavery Index's complex data through a dynamic, intuitive interface. It visualises over 25,000 data points across 160 countries—offering a comprehensive view of modern slavery today, including forced labour, human trafficking, debt bondage, forced marriage, and other forms of severe exploitation. Grounded in in-depth research and survivor interviews, the platform equips policymakers, advocates, and researchers to drive evidence-based action toward a more just and equitable world.

The Nordic Climate Transparency Leadership microsite presents key insights from a joint survey by the Open Sustainability Index and We Don’t Have Time. This special report investigates how the top 120 Nordic companies measure up in sustainability reporting — and how that correlates with stock market performance. It found that the most transparent companies outperformed the market by 28%. Brought to life with clear visuals and compelling insights, the findings unfold in an interactive, scroll-driven experience.

Voices of Climate Action is a series of four short films and a digital experience, commissioned by Deloitte and filmed in Ghana, Kenya, India, and Pakistan. Each film follows a local changemaker tackling climate challenges with solutions rooted in their community—approaches with lessons for us all. From the outset, the project was conceived as both film and digital. We designed an immersive microsite that paired each story with context on systemic solutions and clear pathways for action—guiding viewers from learning to supporting, participating, and leading. Alongside the site, we developed a strong visual identity for the films, which extended into a social media campaign amplifying their reach.

Youthtopia is a global movement empowering young people to step into their role as changemakers. Founded by youth activist Melati Wijsen, it was born from her desire to pass on the guidance she once had to discover the hard way. Their old website was a clunky WordPress build—hard to find, harder to use, and out of sync with the brand’s spirit. We reimagined Youthtopia’s digital presence, expanding the brand into a coherent, memorable website that confidently marks the organisation’s next chapter—brought to life on Webflow’s fast, flexible platform.

A collaborative exhibition exploring ecocide as an emerging legal concept, developed and produced by INTERPRT alongside legal pioneer Polly Higgins and Stop Ecocide International. Held during the 17th Assembly of State Parties of the International Criminal Court and hosted by Museon in The Hague, the exhibition combined legal analysis with multimedia storytelling — including a short animation on the causes and effects of the climate crisis in the Pacific. A companion microsite extended the exhibition’s reach online, featuring texts by Higgins and a digital reflection of the work shown in the museum.

A data-heavy GIS platform for tracking global conservation efforts. Built to surface contributions to biodiversity and climate goals, we restructured both the front and back end for clarity, speed and usability. Complex geospatial data becomes navigable through clean architecture, intuitive workflows, and a user interface designed to require no instruction.

Sounds of the Forest is an exhibition exploring bioacoustics — the study of environmental sound as a measure of ecosystem health. In particular, it looks at how forests can be monitored and understood through their soundscapes (the sounds of insects, birds and animals). Upon entering, visitors are met with six large-scale projections of forests from around the world. At the centre of the space, suspended headphones invite listeners into each environment. At first, they hear the rich, layered soundscape of a healthy forest — birdsong, insect activity, and other natural sounds in balance. But gradually, human interference emerges. The sound shifts as deforestation, fragmentation, and monoculture plantations take hold. Though these altered landscapes may still appear natural — or even beautiful — their silence tells another story. The forest becomes quiet, its diversity erased. In the end, it is the sound that reveals what has been lost.

Earth Month was a month-long festival across Edinburgh and Glasgow in partnership with Institut Français and Goethe-Institut. One of the key activities was an artist residency featuring French and German artists slow travelling across the environment of the Scottish Highlands. Their work was later exhibited in the grand halls of the 19th-century building that houses the Institut Français d’Écosse. The challenge was to create a subtle yet striking intervention that would highlight the artists’ work in a space already rich with visual character. Minimalist plinths painted in a muted pastel pink offered a clean, contemporary contrast that allowed each piece to stand out without competing with the architecture.

A governance data platform used by OECD experts to evaluate countries on key indicators and test how potential policy reforms could affect their scores. At its centre is a single, interactive visualisation that reveals a deep framework of governance metrics. We designed it as a tool for exploration, comparison and advocacy — blending layered complexity with clarity, responsiveness and policy relevance.

Transformation of an empty unit fronted by shutters with a new facade and interior fit for a creative office. Standing and sitting desks face windows with lush views, wrapping around the space to form shelves and a meeting room. Custom plywood construction slots neatly into the volume, defining the new without ignoring the old.